The stunning masterpieces of Ancient Greece and Rome are fundamental to the story of art in Western culture and to the origins of art history. The expanding Greek world of Alexander the Great had an enormous impact on the Mediterranean superpower of Rome. Generals, rulers, and artists seized, imitated, and re-thought the stunning legacy of Greek painting and sculpture, culminat...(展开全部)

This title provides an introduction to the rhetorical tradition of sophistical dialectics in antiquity.In ""Sophistical Rhetoric in Classical Greece"", John Poulakos offers a new conceptualization of sophistry, explaining its direction and shape as well as the reasons why Plato, Isocrates, and Aristotle found it objectionable. Poulakos argues that a proper understanding of soph...(展开全部)

"Furniture has twelve chapters, covering styles from the ancient furniture of Egypt, Greece and Rome to European styles of the 17th to 19th centuries. There are also chapters on Chinese, South African and American furniture, as well as a discussion on contemporary designs and directions. Each chapter opens with an historical overview of the era being examined. For each era, the...(展开全部)

Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art an...(展开全部)

Conceived originally as a serious presentation ofthe development of philosophy for Catholicseminary students, Frederick Copleston's nine-volume A History Of Philosophy hasjourneyed far beyond the modest purpose of its author touniversal acclaim as the best history ofphilosophy in English. Copleston, an Oxford Jesuitof immense erudition who once tangled with A. J.Ayer in a fa...(展开全部)

作者简介： 弗雷德里克•乔治•凯尼恩爵士（Sir Frederic George Kenyon，1863—1952）是英国著名古典学家、圣经学家和古文书学家。1863年1月生于伦敦，先后就读于温切斯特公学和牛津大学新学院，毕业后1883年被遴选为牛津大学麦格达伦学院教研人员。1889年成为大英博物馆助理馆员，1898年被选为写本部副部长。1909年被任命为大英博物馆馆长、图书馆首席馆员，担任此职一直到1931年退休。其间，1912年被封为爵士，1913年担任古典学会会长，1917年成为英国人文与社会科学院院长，1918年成为英国皇家艺术学院古代史教授，1919年成为希腊学研究学会会长。 凯尼恩毕生致力于纸草文献的整理、研究和出版，著述颇丰，主要有：亚里士多德《雅典宪法》的首个校勘整理本以及英文翻译（1891, 1904, 1920），《大英博物馆所藏...(展开全部)

大卫·波特 密歇根大学希腊和拉丁语终身教席教授（FrancisW.KelseyCollegiateProfessor，ArthurF.ThurnauProfessor）。他是国际上知名的罗马帝国史学术权威，也是许多学术文章和书籍的作者。

Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture, and paintings took on distinctive and original qualities. The spread of Renaissance values provided leading artists such as Gentile and Giovanni Bellini, Giorgione, Palladio, Titian, a...(展开全部)

This volume provides a survey of the history of architecture in Europe and North America, from ancient Greece to the present. Ian Sutton focuses both on the technological achievements of architects, and on aesthetic considerations, and stresses that architecture is both a part of history, and an art form in its own right. Arranged chronolgically, the book is divided into chapte...(展开全部)